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Her questions brought long and wonderful tales of Billy’s younger life; of Edith when she, too, was a little girl. The child helped to set the table, carried in bread, salad plates, and jelly. “It shakes like the fat woman at the circus when she laughed. How do you make jelly?” All went well with the preparation; and on a glorious spring night in the full moon, the town and countryside jammed the Opera House “to its eyebrows,” Billy said, looking through the peephole in the curtain to the high window seats crowded with boys. Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers..
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In spite of the grave situation, the officer smiled at Billy’s entreating words, remembered suddenly the danger from both fire and possible lurking desperadoes. “All right. Get behind that tree, and stay out of the reach of stray shot.” “Oh, he is a wonderful piannerist,” explained Betty. “He played, Oh, jist lovely, jist like birds singin’ an’ rivers runnin’ an’ the sun shinin’. But arfter he played he looked so fierce I was skeered of him. Miss Gordon didn’t like him either, arfter she got knowin’ him better.” CHAPTER XIV IN THE HAUNTED HOUSE There was a half-grown calf with an artificial hump for the “Water Buffalo”; and Harry and Clarence were cunningly strapped together for the Siamese Twins..
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